US Highway 66 over the Arkansas River, 1915-1916

West Bank Looking toward the North East, 1917


East Bank Looking toward the North West, 1936


West Bank Looking Toward the South East, 2009

Tulsa's 11th Street Bridge over the Arkansas River is a good example of a multi-span concrete arch bridge with verticals. It is a continuous span constructed of reinforced concrete. The roadway decking and guardrails are monolithic. It was altered in 1929 and has ornate guardrails that utilize Art Deco motifs, especially the Zigzag Art Deco and PWA Classical-oriented Art Deco. Its roadbed is 34 feet wide and it was labor intensive to build, reflecting a technology and aesthetic approach to bridge construction no longer in use.


The current state of disrepair of the old bridge make it unsafe even for foot traffic. It has been named an historic site and plans exist to restore it and make it the centerpiece of a Route 66 Center. However because of the expense involved those plans are on hold for the time being.

This bridge is sandwiched in on the North by the Redfork Expressway (I244) and on the South by Southwest Boulevard. It it difficult to photograph except from either end looking between the old bridge and I244.
(Excerpted from Tulsa Preservation Committee. Older photo courtesy of the Beryl Ford Collection/Rotary Club of Tulsa, Tulsa City-County Library and Tulsa Historical Society.)

Skelly Mansion, 1923

2103 South Madison Avenue - Photo circa 1950


The Skelly mansion is a three-story building with a full basement, providing approximately 10,000 square feet of floor space. It faces west-northwest from a spacious, wooded corner lot. Its masonry exterior walls are faced with red brick, with a roof of green tile. The severe front entrance, with a classic architrave and a transom of clear, leaded glass, is flanked by carriage lights believed to have come from an early-day hearse. The entrance way is protected by a classic two-story portico supported by white cut stone columns with lotus style capitals. The portico is flanked on either side by a pair of double French doors, opening onto the terrace. A large second floor veranda with iron rail and iron staircase offering access to the yard may have been added some time after the house was built.


The main feature of the ground floor is the long, forty foot dining room. The walls have murals in inset panels and arched mirrors with plaster mold frames in the French style. Unusual features of the second floor include an ornate, half-circle ceiling grill through which the third floor exhaust fan sucked cool air into the bedroom. The third floor has two servant rooms and a bath.

William G. Skelly, oil producer, refiner, and marketer, purchased this neo-classic house in 1924. It remained in the Skelly family until 1968. The Skelly House remains one of Tulsa’s premier historical buildings.
(Excerpted from Tulsa Preservation Committee. Older photo courtesy of the Beryl Ford Collection/Rotary Club of Tulsa, Tulsa City-County Library and Tulsa Historical Society.)

Gillette Mansion, 1921

1521 South Yorktown Place

This is the home of J. M. Gillette, from which the residential district around it draws its name. It is a three-story, Gothic Tudor building constructed of brick, stucco and heavy timbers. It has rock accents, multi-paned leaded glass windows set within cut stone Gothic arched frames, and a slate roof. This early photograph looks at the house from the north with the prominent windows on the west side.

Outstanding interior features include a winding staircase and cut stone fireplaces. One of the fireplaces has gargoyle brackets on the mantle. Much of the interior is of gumwood with intricately detailed moldings and paneling. It also features a library and a sunroom with a colored glass skylight.


Originally, the mansion’s back yard extended from the house to the lot line where 16th Street should go through. The mansion grounds included a natural stone goldfish pond, a wood and stone screened “summer house” facing the fish pond, a hand crafted (dated and signed) concrete picnic table and benches with inlaid tile tops, concrete garden benches, and a clay tennis court located in the southwest corner of the yard. The property around the mansion is now populated by other houses.


James Max Gillette was an important merchant, real estate entrepreneur and oilman in Tulsa’s early days. Gillette sited his home outside the city limits and raised purebred cattle on this “country place” for several years. The cattle grazed on land south of the mansion, which is currently occupied by four new homes. During the Depression, Gillette lost everything, including the mansion.
(Excerpts from Tulsa Preservation Committee. Older photo courtesy of the Beryl Ford Collection/Rotary Club of Tulsa, Tulsa City-County Library and Tulsa Historical Society.)